Showing posts with label Everest. Show all posts
Showing posts with label Everest. Show all posts

Monday, 13 May 2024

Guest review by Graeme Fife: EVEREST 1953 by Mick Conefrey

 


"The final climb itself, a gripping story, loses none of its thrill"

Graeme Fife
is a regular reviewer here. He has written many plays, stories, features and talks for radio, stage plays and articles for newspapers and magazines, and is a regular contributor to BBC Radio 4's From Our Own Correspondent. He's the author of a string of books - children's stories, biography, works of history and fiction. His novel of the French Revolution, No Common Assassin, tells the story of Charlotte Corday. His latest publication, Memory's Ransom, is published by Conrad Press.

British rock climbers pioneered the craze for Alpine exploration in the early nineteenth century, followed by nationals of those countries which might have laid a more immediate claim to proprietorship of the great alpine peaks in their country. Perhaps it may be put down to a Victorian thrust for exploration and conquest riding the crest of imperial expansion. The often incomprehensible obsession with ice and adversity – the polar expeditions – ensued. They formed a part, we may say, of the similar preoccupation with heroic failure which began with the Charge of the Light Brigade, the spilling of blood on foreign sand, a calamity puffed by Sir Henry Newbolt’s jingoist doggerel, Invictus, and finally belittled by the heroic triumph of the Battle of Britain. The fascination of ice perhaps began with Cabot’s search for the North-West Passage and underpins the drive to ‘conquer’ Everest – named for a Surveyor General of India; local names were rejected because of native hesitation about allowing foreigners entry. The Tibetan name, Qomolangma, means Holy Mother, and it must be clarified, mountains are never conquered; they may be climbed but remain a challenge forthwith.

Edward Whymper laid the benchmark. An English illustrator, born in 1861, he was sent to the Pennine Alps to make drawings and, fascinated by the daunting sight of the Matterhorn ‘peak of the Meadows’ near Zermatt, a mighty wind-whipped, partly snowbound pyramid of rock, a giant of those mountains, he determined to climb it. At 5.30 am on 13th July 1865, he and four other Britons with two Zermatt guides set off from Chamonix, bivouacked overnight and, at dawn next day began their assault. At 1.40 pm, Whymper and another climber ‘skipped up the final slope’ to the summit. (The word had not yet been debased as a verb – Americans again.) Descending, one man, roped to three others, slipped: fatally, all fell.

The triumph is reckoned by some to mark the end of the Golden Age of Alpine first assaults. Whymper is honoured with a statue in Chamonix.

In the 1920s, the outstanding climber George Mallory led three expeditions on Everest, the first two times eschewing oxygen - considered infra dig, albeit they happily used stimulants and other drugs. Two failures preceded their final attempt in 1924 when the climbers did use oxygen to combat the debilitating effect of perilously thin air. Mallory and his companion may have reached the top; nobody knows. but both men died and Mallory’s body was not found until 1999. He is alleged to have answered the question ‘Why try to climb it?’ with ‘Because it’s there.’

From that final effort, somehow, the British thought of Everest as ‘their’mountain and Edmund Hillary, a bee-keeper from New Zealand, exceptional Himalyan climber, took part in several exploratory expeditions mounted by British teams from the 1930s on.

The Swiss mounted their own attempts – all dependent on permission from the Nepalese government - and, in 1952, came very close, even as the organisation of another British expedition team proceeded, headed by Colonel John Hunt, a first-rate mountaineer. Nepalese Sherpas were routinely called upon to act as guides, porters and support climbers; one, Tensing Norgay, an exceptional mountaineer, climbed with the Swiss and, warming to their amiable attitude, found the more militaristic hauteur of the British far from conducive. Luckily, Hunt was no martinet but that rare species among miltary men, a fine, sympathetic leader with none of that egotism characteristic of so many British officers. Tensing’s inclusion in the 1953 team was fortuitous. Not only did he prove himself a priceless asset as a climber but he bonded closely with the highly experienced Hillary, another ‘outsider’ like him, to form an indelible partnership.

The politics, tensions, rivalries, accommodations of assembling the team, martialling the complicated manner of approach, preparation and final assault – who was to be chosen? – are skilfully narrated, without bias, even the drama of getting the news to London for Coronation Day in 1953, itself a mini epic; all described with meticulous detail and understanding. The final climb itself, a gripping story, loses none of its thrill, the outcome being known.

As to the shabby behaviour and misreporting of clamouring newshounds after the climb, this forms a sorry footnote to a wonderful exploit, rightly celebrated as a British triumph, albeit the two men who stood on the top of the world had citizenship by right of inclusion as men of the colonial governance. No matter. Their achievement does not wait on partisan claim. They did something none else had ever done; their bravery and fortitude are for all humanity. If their success inevitably overshadows the work of their companions, without that superlative support they might have failed.

Everest 1953 is published by Oneworld.

 More reviews by Graeme:

A Telling of Stones by Neil Rackham


The Shapeless Unease by Samantha Harvey


One Day by David Nicholls

Monday, 19 April 2021

Guest review by C J Driver: THE MOTH AND THE MOUNTAIN by Ed Caesar




"This is a man who can't turn back, won't turn back, doesn't turn back ..."

Jonty Driver has kept himself busy in lockdown working with a local firm, Artwrite of Rye, to produce four booklets of his poems, some illustrated by himself, and a card, The Slave-Bell at Doornhoek, a poem and a painting. The booklets are: Image & Image, some old photographs & a dozen unrhymed sonnets; The Journey Back; The Chinese Poems, 1979-2020; and A Winter’s Day at Westonbirt & other poems. All are available from Artwrite. See more on Jonty's website.

I’d better start by mentioning that, though I didn’t teach him, Ed Caesar was a pupil at Wellington College when I was Master there. I admitted him to the school in 1993 as a non-fee-paying Foundationer because his father had been killed on active service with the Royal Navy in 1982. After taking a degree from Edinburgh, Ed has made a successful career for himself as a journalist and is now writing books too: the first, Two Hours, was about the marathon and the chances of someone’s breaking two hours to run it. This one is about an attempt in 1934 by a brave but largely deluded Englishman to be the first to climb to the top of Everest. 

“By any rational measure, he (Maurice Wilson) had not the tiniest chance of reaching the summit.” The third son of a Yorkshire family, he had fought through  the First World War, joining as a private and then being commissioned, and winning a Military Cross for his bravery. Recovered from his wounds, but still mentally damaged, he had left Bradford and emigrated to New Zealand. After various mishaps, marital and otherwise, he returned to the UK and then settled on a scheme to buy an aeroplane to fly, solo, to the lower slopes of Mount Everest, and then to climb the mountain, on his own. He didn’t know how to fly, and he had never climbed a mountain. But he does fly solo all the way to India in his Moth, and evades all efforts to stop him getting to the mountain. And he does set off to climb what no one has climbed before.

It is an extraordinary story, garnered from a variety of sources, including Wilson’s own diary and letters he wrote to a woman he was in love with (she was married to someone else). Ed Caesar is, I think, meticulously truthful; he doesn’t pretend to know what he can’t know and, when he guesses, he makes it clear that he is guessing. In the end, the story becomes somehow close to tragic: this is a man who can’t turn back, who won’t turn back, who doesn’t turn back, even when any rational being would realise he can’t survive. I found the book utterly absorbing, and I recommend it wholeheartedly.


The Moth and the Mountain is published by Viking

See also: Touching the Void by Joe Simpson