Guest review by Rachel Ward: THE POSTSCRIPT MURDERS by Elly Griffiths

 

"A light-hearted read in the vein of Richard Osman’s The Thursday Murder Club or S.J.Bennett’s The Windsor Knot."

Rachel Ward has written five thrillers for young adults, the first of which, Numbers, was shortlisted for the Waterstones Children's Book Prize. Her novels for adults, The Cost of Living, Dead Stock and Expiry Date (Sandstone Press) are cosy crime stories set in and around a supermarket. Rachel lives in Bath where she also paints and takes photographs. Twitter: @RachelWardbooks Facebook: Rachel Ward Art

When ninety-year-old Peggy Smith is found dead in her armchair by the window in a care home by the sea, her death is put down to natural causes, but her carer, Natalka, suspects foul play. For Peggy was a ‘murder consultant’ who plotted deaths for authors and had told Natalka that someone was following her. Natalka investigates, helped by Peggy’s friends, eighty-year-old former BBC Radio 3 presenter, Edwin, and ex-monk turned coffee barista, Benedict, and also local police detective D.S. Harbinder Kaur. The case takes them through the murky world of publishing and to further deaths before the truth is finally revealed.

This is a light-hearted read in the vein of Richard Osman’s The Thursday Murder Club or S. J. Bennett’s The Windsor Knot. The action keeps coming with surprising twists and turns. For this reader, there are rather delicious references to the crime-writing world. What marks this book out from others in the cosy crime genre is the fine and complex characterisation. Griffiths makes you really care about Natalka, Edwin, Benedict and Harbinder. We learn about their, in some cases unusual, backgrounds and history and enjoy their friendships developing. The plot may stretch credibility a little (which I didn’t mind at all) but the relationships between the main characters are utterly believable.

This is the second book to feature D.S. Harbinder Kaur. I don’t think it matters that I am coming to them out of sequence and I’m looking forward to reading the first one, The Stranger Diaries.

The Postscript Murders is published by Quercus.

Rachel Ward's Ant and Bea books are reviewed here by Savita Kalhan.

The Windsor Knot  by S J Bennett is reviewed here by Penny Dolan.

Guest review by Savita Kalhan: Rachel Ward's ANT AND BEA books

"The plot for both books will keep you guessing right to the very end."

Savita Kalhan was born in India, but has lived in the UK most of her life. She got the writing bug when she was teaching in the Middle East, where she lived for several years. Now living in North London, she runs a teen reading group at her local library in Finchley, and writes for children.

Her debut novel, The Long Weekend, published by Andersen Press, is a tense thriller about two boys who are abducted after school. Her new book, The Girl in the Broken Mirror was published in May by Troika Books: 'an unflinching, multi-layered exposition of male privilege, male abuses of women, and the clash of cultures. With hard-hitting clarity it shows how girls are silenced.' Love Reading 4 Kids

When I found out that I had won two crime fiction books by Rachel Ward I knew I was in for a treat. As a children’s writer, I know of Rachel Ward’s fiction for teenagers and thoroughly enjoyed her Numbers series.

In The Cost of Living we meet the two amateur sleuths, who both work for the local supermarket, Costsave, in the fictional town of Kingsleigh. Bea, a check-out girl in her early twenties, lives with her agoraphobic mum, Queenie; and Ant, from the estates, who left school early and seems to be going nowhere, but who manages to get a trainee job at the supermarket. An unlikely friendship springs up between them as a crime draws them together. There is a stalker in Kingsleigh and he is attacking women. Then a woman is murdered. This is all too close to home for Bea and she begins to investigate and, gradually, Ant is co-opted to help. Everyone is a suspect – colleagues and locals alike.

Dead Stock is the second book in the series. It opens with a body being dropped from a bridge, a dead cat, and more complications in both Bea and Ant’s personal lives. Although both books can be read as stand-alone, it is best to read the two books in order to get fully immersed in the series.

The main characters are down to earth and immensely likeable. The dialogue is fresh and witty. The plots for both books will keep you guessing right to the very end. I love the way Bea and Ant’s friendship develops over the two books – and the same applies to the rest of the supporting cast. We get to know all the staff of Costsave, and the locals, and follow their stories through both books. The depiction of Bea’s relationship with her mum Queenie is just lovely. Then there’s Bea’s co-worker Dot, who is a real scream, Bob on Meat, the odious deputy manager Neville, and so many more.

And everything is in place for a third book in this series, which I can’t wait to read – I really need to know more about one of Bea’s regular customers, who I won't name!

Rachel Ward aptly describes her books as ‘cosy crime’: cosy they may be, but they are still thrillers complete with red herrings and killers, like a novelised Midsummer Murders. So to drive away the winter blues, I would highly recommend curling up in front of the fire with a cup of tea or a glass of wine and a copy of The Cost of Living. You'll move on to Dead Stock in no time.

The Cost of Living and Dead Stock are published by Sandstone Press.