Showing posts with label Elly Griffiths. Show all posts
Showing posts with label Elly Griffiths. Show all posts

Monday, 1 May 2023

THE LAST REMAINS by Elly Griffiths, reviewed by Adèle Geras




"If you have never read these books, then start right now ..."

Adèle Geras has written many books for children and young adults and six novels for adults, the latest of which (under the pseudonym Hope Adams) is Dangerous Women, published by Michael Joseph. She lives in Cambridge.

One of the best presents I was given for my birthday this year was a copy of Elly Griffiths' latest Dr Ruth Galloway mystery. My friend Wendy Cope gave it to me ... we've been reading about Ruth and her companions alongside one another since The Crossing Places, which was the book that launched the series in 2009. For sixteen years, at the rate of almost a book a year, we've lived with Ruth and followed her life and her adventures. We've got to know her lover, Harry Nelson, a married policeman who heads a team of men and women who are all fully rounded characters. If you love the Ruth Galloway books, you belong to a kind of gang.

Appropriately, a book called The Last Remains is the final book about this particular detective and her friends. I was therefore almost bereft when I came to the end of the story. I live in hope that some years further down the line, there will be a case which brings everyone back one more time ....but till then, Elly Griffiths has created a glorious collection of stories about one of the most likeable of detectives.

From the start, Ruth was more like a normal person than most detectives. She was, for one thing, not thin. She describes herself as needing to lose weight, though this aspect, which made me warm to her, is less important as the books go on. Throughout the series, her relationship with Harry Nelson is the spine that holds the narrative together, gives it an emotional core absent from many other books, and provides a continuity that makes Griffiths' fans go back again and again to see how those two are getting on. I know Elly a little and every time I meet her I beg her to make things end well for our hero and heroine. I'm saying nothing about what happens. You will have to read the book. Of course the fact that the top policeman has a distinguished archaeologist to help him, makes the answers to the mysteries much more interesting. Their adventures take them in all kinds of unexpected directions, and there's a thread of magic, worlds beyond our own, the slightly supernatural which runs through the books. Cathbad, Ruth's friend who is a Druid, carries most of the weight of these themes in the novels and he's one of her most attractive creations. Mystery surrounds him even in the midst of the most prosaic situations.

Because we've lived with these characters for so long, we have followed a great many stories through recent history. Cathbad almost died of Covid. Ruth has a daughter with Nelson, and we watch Kate grow into a young person who reflects well on the way her mother has brought her up. Nelson's family also help in Kate's development and are present in her life. A situation which could have become very fraught has always (even through many ups and downs, some of them very dramatic) been managed in a way that's both civilised and plausible.

The stories are set in Norfolk and bring that county most beautifully to life. Ruth lives in one of three cottages on a salt marsh and we are always made aware of what every location looks like. Griffiths never over -describes, but can paint a scene in very few sentences so that we feel we are there. Her dialogue is pitch perfect. It never sounds artificial, but as though real people are talking. She's very good at animals and I have grown especially fond of Ruth's cat Flint. Cathbad's dog (called Thing) is a bull terrier of impeccable character but I have to confess to being one of those people who have a 'thing' about that breed. My bad. Thing is totally lovely in every respect.

In The Last Remains, the body of a young woman is found behind the boarded-up wall of what used to be a café back in the day. Suspicion falls on a group of students and their charismatic and creepy tutor who used to frequent the café long ago. Cathbad, who was then called Michael Malone, was one of their number. What does he know? How involved was he? When he goes missing, there's a possibility that he may have something to hide. Alongside all this, Ruth's University is about to axe the Department of Archaeology. A colleague of hers has something surprising to tell her. Nelson's wife, Michelle, who had been living apart from her husband, has returned to Norfolk. There's an awful lot going on and it's miraculous that Griffiths manages to keep all the balls in the air so brilliantly. Also, there's a reference in this novel to events that happened in the other books, so that you're reminded as you read of all that you've read before. The solution is elegant with a really poignant and unexpected revelation towards the end of the book.

I will now go and catch up with other novels by Griffiths that I haven't read yet. And yes, she has written many other novels. She's one of the most prolific writers of mysteries at work today.

Goodbye, Ruth and co. Reading about you for all these years was a real treat and I hope that one day, you might return. I want to see what Kate becomes. I want to see Ruth and Nelson as grandparents. I want more....

If you have never read these books, then start right now. You won't regret it.

The Last Remains is published by Quercus.

See also Elly Griffiths' The Postscript Murders, reviewed by Rachel Ward.  



Monday, 14 February 2022

Guest review by Rachel Ward: THE POSTSCRIPT MURDERS by Elly Griffiths

 



"A light-hearted read in the vein of Richard Osman’s The Thursday Murder Club or S.J.Bennett’s The Windsor Knot."

Rachel Ward
has written five thrillers for young adults, the first of which, Numbers, was shortlisted for the Waterstones Children's Book Prize. Her novels for adults, The Cost of Living, Dead Stock and Expiry Date (Sandstone Press) are cosy crime stories set in and around a supermarket. Rachel lives in Bath where she also paints and takes photographs. Twitter: @RachelWardbooks Facebook: Rachel Ward Art

When ninety-year-old Peggy Smith is found dead in her armchair by the window in a care home by the sea, her death is put down to natural causes, but her carer, Natalka, suspects foul play. For Peggy was a ‘murder consultant’ who plotted deaths for authors and had told Natalka that someone was following her. Natalka investigates, helped by Peggy’s friends, eighty-year-old former BBC Radio 3 presenter, Edwin, and ex-monk turned coffee barista, Benedict, and also local police detective D.S. Harbinder Kaur. The case takes them through the murky world of publishing and to further deaths before the truth is finally revealed.

This is a light-hearted read in the vein of Richard Osman’s The Thursday Murder Club or S. J. Bennett’s The Windsor Knot. The action keeps coming with surprising twists and turns. For this reader, there are rather delicious references to the crime-writing world. What marks this book out from others in the cosy crime genre is the fine and complex characterisation. Griffiths makes you really care about Natalka, Edwin, Benedict and Harbinder. We learn about their, in some cases unusual, backgrounds and history and enjoy their friendships developing. The plot may stretch credibility a little (which I didn’t mind at all) but the relationships between the main characters are utterly believable.

This is the second book to feature D.S. Harbinder Kaur. I don’t think it matters that I am coming to them out of sequence and I’m looking forward to reading the first one, The Stranger Diaries.

The Postscript Murders is published by Quercus.

Rachel Ward's Ant and Bea books are reviewed here by Savita Kalhan.


The Windsor Knot  by S J Bennett is reviewed here by Penny Dolan.



Monday, 6 November 2017

Guest review by Rachel Ward: crime round-up


Rachel Ward has written five thrillers for young adults, the first of which, Numbers, was shortlisted for the Waterstones Children's Book Prize. Her first book for adults, The Cost of Living, is a cosy crime story set in and around a supermarket, recently published by Sandstone Press. Rachel lives in Bath where she also paints and takes photographs.
Twitter: @RachelWardbooks  Facebook: Rachel Ward Art

Over the last couple of years, I’ve pretty much only read crime. There’s something comforting about having a puzzle set at the beginning of a book and knowing that there will be some sort of resolution by the end, however dark the story. Here’s a round up of the books I’ve been reading. My tastes are fairly mainstream and I don’t like very violent or disturbing books, but I’ve picked up some more unusual books and recommendations at Bristol CrimeFest for the past two years.

Ann Cleeves – the Shetland and Vera Stanhope books. I was led into these by the television adaptations. Vera started off as my favourite, but the Shetland books now have an equal place in my estimation. Cleeves creates believable characters, whose own story arcs develop slowly and convincingly through each series. I actively look forward to each new book from her.

Ian Rankin – I’ve dipped in and out of the Rebus books, alas not reading
them in order. No introduction needed from me, but I did see Rankin speak at Bristol Crimefest in 2016. He was treated like a rock star by the audience and who could really complain about that? He writes cracking books.

Elly Griffiths – I first bought two Stephens and Mephisto books (The Zig Zag Girl, Smoke and Mirrors) at Bristol CrimeFest after several panels recommended her. I enjoy the setting of Brighton shortly after WW2, and the police/theatrical ‘mash up’. Next up, I’m going to try the first of her Dr Ruth Galloway books, The Crossing Places.

Jorn Lier Horst – Horst is a stablemate at Sandstone Publishing. I only needed to try one of his William Wisting books to be hooked and am happily reading all the novels so far translated from Norwegian (When It Grows Dark, Dregs, Closed for Winter). They are conventional detective stories, given an extra twist of realism from Horst’s previous career as an investigator in the Norwegian police.


Ragnar Jonasson – there was a real buzz on Twitter about Jonasson and I saw him speak at CrimeFest in 2016. His Dark Iceland books are very readable. I particularly enjoy the setting – an isolated settlement, Siglufjordur – and the relative youth of his main character, Ari Thor Arason.

Henning Mankell – the Wallander books are among my favourites and I’ve enjoyed the Swedish and English TV adaptations. I haven’t read all the books yet as I am deliberately rationing them, to eke out the enjoyment. For some reason I find these particularly scary, I’m not sure why. It may be that sometimes Mankell switches to the killer’s point of view, which ratchets up the tension for me. I was very sad to hear of Mankell’s death in 2015. A great loss.

James Runcie –  the Granchester books are lighter in tone than the television adaption, with more humour and a good dollop of philosophy thrown in.



WHS McIntyre - from another stablemate at Sandstone, the Best Defence series is fast-paced and witty. It took me a while to get used to McIntyre’s wisecracking style but once I ‘got’ it, I really enjoyed Good News, Bad News and the plotting was very neatly done and satisfying.

Donald Westlake, Drowned Hopes – I started reading this out loud to my husband when he first came home from hospital. We ran out of steam but I think we’ll try again this winter as it was a brilliant set up.


Cass Green, In a Cottage In a Wood – Being a timid soul, this is at my limit for scary and twisty, but I really enjoyed it. It’s brilliantly plotted and a real page-turner, with very believable, recognisable characters – it hooks you in and doesn’t let you go.


CJ Skuse, Sweet Pea – This is a no-holds-barred, sexy, violent, rollercoaster of a book, recommended for those without a nervous disposition. I’ve seen it described as  Dexter meets Bridget Jones’ Diary and that’s about right … and then some.


Fleur Hitchcock - I must mention crime for younger readers. Hitchcock is a great storyteller and I really enjoyed Murder in Midwinter, which was shortlisted for an award at CrimeFest 2017. It's a genuinely exciting book for children of 11+ (?), or for much older readers, like me.



I’m always looking for new reads, especially series. If you have recommendations for crime reading, do let me know.


(Ann Cleeve's COLD EARTH was the choice of guest reviewer Jocelyn Ferguson. "Fans of Ann Cleeves have come to expect a compelling narrative, a powerful sense of place and atmosphere, acute characterisation and pared back prose, and with Cold Earth, her seventh novel in the Shetland series, she does not disappoint." Read the full review here. )