Monday, 18 November 2024

Guest review by Linda Sargent: ALL THE BEAUTY IN THE WORLD by Patrick Bringley

 


"A truly life-affirming book full of riches to be savoured ... I loved it."

Linda Sargent
is a writer who worked as a publisher’s reader for David Fickling Books for twenty years. She has published short stories and articles and her first novel, Paper Wings, appeared in 2010; she is also the author of Words and Wings, a training guide to creative reminiscence work, available as a free download from her website. Over the past few years, she has been working along with Joe Brady and Leo Marcell, on the graphic novel Tosh's Island, published in October.

In Elizabeth Jennings’ poem, Into the Hour, she writes, “Grief’s surgery is over”, going on to use what may seem a surprising phrase of reaching “the time when grief begins to flower” and how through this process “Grief finds its good way home”. This book on dealing with profound loss, epitomises so many aspects of the poem. When Patrick’s brother, Tom, at twenty-six and just two years older than him, dies it is (unsurprisingly) a shattering blow. In the immediate aftermath, visiting an art gallery with his mother, the author, young and making his way upwards already on the ladder of the New Yorker magazine, experiences a sudden, profound echo of the atmosphere spent during his time by his brother’s hospital bed, “one of speechless mystery, beauty and pain” (p.31). And there he makes a decision to retreat into a calmer and, as it transpires, more healing and sustaining space for himself.

He leaves the New Yorker and gets a job as a Museum Guard at the Metropolitan Museum of Art in New York. Here, over ten years, he meditates on the many works of art held there, from the huge collection of ancient and classical works, paintings, sculptures and treasures from across the world, to more modern pieces, including quilts and furniture. And he takes us, the readers into this world along with him, giving us a chance to explore the pieces in a deeper and more meaningful way. It’s an open way too, he doesn’t preach, he shares. As well as his exploration and linking of art, life and the patterns of grief, the author also forms bonds and friendships in the community of other guards at the Met, a diverse and fascinating group. During this period, Patrick marries and now has two children and these biographical moments are expertly and lightly threaded through. Mostly, it focuses on the importance of having time to reflect, really reflect, on the way art and beauty can provide support during periods of struggle and grief. He manages to bring home the way even the greatest of art can function on this inclusively human level, at one point observing that in the end “all art is local”. He also talks about the “simplicity of stillness” amongst all this art, but adds: “…it is also about the head-down work of living and struggling and growing and creating”. Indeed. A truly life-affirming book full of riches to be savoured and I loved it.

There are illustrations in every chapter by Maya McMahon referencing some of the pieces he mentions. And at the end there is a comprehensive list and links to all the works of art mentioned.

All the Beauty in the World is published by Vintage.

Linda's graphic novel Tosh's Island, with Joe Brady and Leon Marcell, is published by David Fickling Books.


More of Linda's choices:



The Orchardist by Amanda Coplin


The Buried Giant by Kazuo Ishiguro

    



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