Showing posts with label Jackie Morris. Show all posts
Showing posts with label Jackie Morris. Show all posts

Monday, 17 February 2025

Guest review by Alison Layland: SARN HELEN, a Journey through Wales, Past, Present and Future, by Tom Bullough


"What a journey he takes us on! Far more than a travelogue, far more than nature writing, far more than a social history of Wales, this is a cry from the heart." 

Photograph by Trina Layland
Alison Layland
 is the author of two psychological thrillers: Someone Else’s Conflict, a compelling narrative of storytelling and the aftermath of war, and Riverflow, a story of family secrets and community tensions against a background of flooding and environmental protest. She also writes short stories and flash fiction; she won the short story competition at the National Eisteddfod in 2002, and her story Quirky Robbers is featured in the Honno crime anthology, Cast A Long Shadow. Her new novel, After the Clearances, a climate fiction novel set in 2050 Wales, will be published by Honno in July 2025.

When not writing, she is an environmental and social campaigner, who enjoys walking, crafting, growing and foraging around her home on the beautiful coast of Anglesey. More on Alison's website.

Until recently, serious consideration of the climate and nature crises was relatively rare in books aimed at a general readership. How wonderful, then, to see the trend changing as this passionate book was chosen as the overall winner of the Welsh Book of the Year 2024.

The titular Sarn Helen – Helen’s Causeway, a Roman road running the length of Wales from Neath in the south to Llandudno and the Great Orme in the north – is the thread that binds Tom Bullough’s insightful observations together. The author began his long-distance walk, which he undertook in sections over the period of almost a year, in 2020, following the first Covid lockdown – potent timing, since this zoonotic pandemic was yet another consequence of the damage people are doing, and have done, to the natural world. The precise route of Sarn Helen has been lost in places, but with a blend of detective work and guesswork, he managed to follow to its end. Like the conquering Romans who built the road, it has been superseded and overlaid by centuries of development – a fitting portent for the direction in which our modern society is heading.

And what a journey he takes us on! Far more than a travelogue, far more than nature writing, far more than a social history of Wales, this is a cry from the heart. The writing is immersive and each chapter is preceded by a wonderful illustration by renowned artist, Jackie Morris, who also provides the cover. Yet even here, there is a dark undercurrent, for we are told in the introduction that each of the fifteen beautiful species – birds, mammals, insects and plants – are among the 17% of species threatened with imminent national extinction. This sets the tone, for while describing the landscapes he walks through, their people and wildlife, in all their glory and diversity, Tom Bullough never lets us forget the threats they are facing, or the damage that has been done – from over-grazed uplands to the all-pervasive noise pollution of aeroplanes and other vehicles.

It’s often hard to strike the right balance when writing about the climate – too much doom and gloom and readers either despair or are driven to feel there’s nothing they can do so why bother? Too much optimism and it’s easy to give the impression that all’s well with the world. Sarn Helen strikes just the right balance. The author’s passion for the Welsh landscape and people, its wildlife, mythology and history, shines through, celebrating what is all around us, but never shying away from the what we have lost and still stand to lose, as well as the desperate need for change. Although the nature writing, conveyed with a vivid attention to detail, is beautiful, the book shows that, as in the wider world, the problems facing Wales are not all directly related to the climate and nature. He explores Wales’s social and industrial history in some depth, even looking back to mythological times and chronicling a fascination with the Celtic saints, whose world was much closer to nature and more respectful of the ecosystems around us than our own.

For some chapters, and sections of his walk, he is joined by poet and novelist Chris Meredith, with whom he discusses the industrial history of the Valleys and the impact of the post-industrial legacy on both landscape and people, and by writer and fellow activist Jay Griffiths, whose observations add companionable touches of spark and humour. Throughout, from the industrial to the agricultural, people are the key. Miners or farmers, saints or Roman conquerors, people are placed in the context of their landscape. Climate breakdown and nature depletion not only impact the natural world, but the people who live there – and it is the people who hold the key to the solutions.

These moments of companionship are full of relatable debate, humour and fascinating dialogue. The other interludes, however, are a stark clarion call: the travelogue is punctuated by interviews with experts – a climate scientist, an ecologist, a coastal scientist and a geographer – which add scientific context but also a terrifying intensity. Although they set out the problems facing Wales, and the wider world, clearly and objectively, the interviewees’ despair at the lack of action to halt climate change and nature depletion is pervasive and their emotions all the more hard-hitting coming from professionals in their respective fields.

A similar authenticity is added by the author’s own campaigning. While protesting with Extinction Rebellion in September 2020, he was arrested, and his journey along Sarn Helen is interrupted in April 2021 by a court hearing. The text of his speech to the court is deeply personal and moving – the more poignant today as environmental protesters are now banned by law from presenting such defences.

Actions speak louder than words – or do they? In the case of Sarn Helen, Tom Bullough’s beautifully crafted words are as potent as many actions, in that they will hopefully inspire anyone who reads them, firstly, to love and value the world around them, and then to do all they can to try and put a stop to the damage that modern society is causing.

Sarn Helen by Tom Bullough, with illustrations by Jackie Morris, is published by Granta, 2023

Alison Layland's Riverflow is reviewed here by Linda Newbery.

Saturday, 1 October 2016

THE QUIET MUSIC OF GENTLY FALLING SNOW by Jackie Morris. Reviewed by Adèle Geras

"The ingredients of fairy tales (towers, snow, forests, ships, trees) fill the narrative, skilfully woven into something singular and strange."

I came home one day from a trip to London to find a huge parcel waiting for me. It was this book: THE QUIET MUSIC OF GENTLY FALLING SNOW, written and illustrated by Jackie Morris,  the very well known artist and writer of many wondrous books for children. The volume  measures 37cms by 28cms. It's a   a picture book for adults and I believe it would be good if there were more of these published, because we don't stop appreciating beauty when we leave our childhood behind.  It's published by  Welsh publisher,  Graffeg, and they've done Morris proud. It costs £25 which seems to me to be excellent value. 






The book has an  usual genesis. Since the year 2000, a charity called HELP FOR MUSICIANS UK has commissioned Jackie Morris to create a Christmas card for them. All of the cards are reproduced at the back of the book. This book knits and crafts those cards together into a single volume made up of many stories, weaving their threads (a favourite word of Morris's) into a beautiful tale (or tales)  of loss and love and music. Because of the origin of the cards, the stories are about music; its creation, its destruction; its fragilities and strengths. Morris's love of music comes over in every story and there's a sort of counterpoint that runs through them.  




Morris has added pictures as well as stories. The creatures who inhabit these tales are ones we know she loves from her other books: bears, swans, hares and birds. The ingredients of fairy tales (towers, snow, forests, ships, trees) fill the narrative, skilfully woven into something singular and strange. Reading the book is very much like listening to different songs, different tunes drifting into your consciousness.They're described as lullabies for grown ups and that's very accurate. The narratives are loose and flowing. The characters appear and reappear and disappear and the animals change and become creatures different from the ones we first thought we'd met. The rhythm of the prose sets out to lull the reader and succeeds in doing exactly this. 





The instruments, depicted many times in the wonderful paintings on every page, are fiddles, flutes, lutes and drums. Anyone interested in identifying them can spend many happy hours looking at each double page spread and seeing what can be found in each one. 



The pear tree in the  'partridge in a pear tree' illustration is also the Singing Ringing Tree which goes on to create forests which it takes seven weeks to walk through. That seven is of course another link with the world of the fairy tales.

This book would make a most beautiful Christmas present for any adult who enjoys fairytales, music, and above all, rich and gloriously coloured illustrations which depict people, creatures and places which are buried in our imagination and which, thanks to Morris, we can pretend are real.  She has moved the fantastical from the realm of our dreams and into the light of our real world.

VISIT:  helpmusicians.org.uk 
Hardback published by GRAFFEG
£25
ISBN: 9781910862650