"Primarily a mystery, but it turned out to be so much more ..."
Emma Pass has been making up stories for as long as she can remember. She wrote her first novel – a sequel to Jurassic Park – when she was 13 in maths lessons with her notebook under her work. She used to be a library assistant but now works a full-time writer, creative writing tutor, mentor and editor for organisations such as The Literary Consultancy and Writing East Midlands. Emma is autistic, has Cerebral Palsy and lives with CFS ME. She writes historical romance for adults, sci fi for teenagers and adventure stories for children. She was shortlisted for the 2023 Romantic Novel Awards, won the 2015 Concorde Book Award and the 2014 NE Teen Award, was longlisted for the Bransford Boase Award and has twice been nominated for the Carnegie Medal. She also writes poetry and short stories, has had an article published in Mslexia Magazine, and in 2020 was commissioned to make a poetry film for the Derwent Valley Mills World Heritage Site in Derbyshire. Find out more from Emma's website.
In 1998, teenager Maggie's beautiful but fragile mother Dee Dee, a fading actress and model, walks out of the house one evening and doesn't return. Maggie, left in charge of younger brother Kit, must try to unravel what might have happened with the help of new friend Wolf, but Dee Dee seems to have vanished off the face of the earth and every which way she turns, Maggie's only met with more questions. Then something happens, and Maggie and Kit are forced to flee to Paris to take refuge with their aunt, Cora. Twenty-one years later, still living in Paris, Maggie gets a phonecall that threatens to shatter the life she's so carefully built for herself: in London, the caller tells her, the new owner of her and Kit's childhood home is excavating the basement, threatening to reveal the dark secret hidden for all these years…
Although the blurb for this novel drew me in immediately, I've never read a book by Eve Chase before, so I wasn't sure what to expect – at first glance it seemed as if The Midnight Hour was, primarily, a mystery, but it turned out to be so much more. The story has two timelines, one set in the late 1990s and one set in the present (pre-Pandemic) day, both told mainly from the viewpoint of protagonist Maggie with the occasional chapter from Kit, and switching between first and third person so it's immediately clear which one we're in. Although there is a mystery at this novel's core, it's also a richly layered coming-of-age story about family, loss and love, warmly written in a poetic voice that, with its use of metaphor and simile, stirred up vivid imagery and emotions that lingered in my mind long after I'd finished reading. The 1990s sections evoke a powerful sense of nostalgia, too, with their descriptions of London and the antique shop belonging to Wolf's uncle. I lived in the south-east of England during this decade, am roughly the same age as Maggie and visited London frequently as a teenager; the sights, sounds and smells of the city in this era are brought to life on the page so evocatively, I almost felt I was back there.
The plot itself is deftly handled. Sometimes, with mystery stories, I can see the twist coming a mile off, but The Midnight Hour kept me guessing right to the end, and in the age before mobile phones and the internet became ubiquitous, the fact that Dee Dee could simply disappear without trace feels completely believable. However, after a fairly dramatic opening chapter, the novel takes a little while to get going – not something I have an issue with, personally, as I adore immersive stories that allow you time to get to know the characters and settings, but if you're an impatient reader who likes to be thrust straight into the thick of things, this may not be for you. If you're a fan of twisty, multi-layered stories with compelling characterisation and beautiful writing, though, I'd urge you to give The Midnight Hour a go! I am now a firm fan of Eve Chase and will definitely be reading more by her.
The Midnight Hour is published by Penguin.
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